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					   	<li class="active"><a href="#tab1" data-toggle="tab" >New montage techniques</a></li>
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						    	<h5 style="width:200px;display:inline">New montage techniques</h5>						    
						   						   	
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							      		Software like Synthetic Aperture's Color Finesse runs as a plugin in host applications like Apple's Final Cut Pro, Adobe's After Effects and Premiere.
									DaVinci Resolve from Blackmagic Design operates on Mac OS X, Windows 7 Pro and Linux OS utilizing a cluster of multiple parallel GPUs for real time grading of HD, 2K and 4K images in 2D or Stereoscopic 3D. Resolve is often 
									used as a mastering solution for its versatility and speed in operation while grading, compositing and the optical quality of its image resize transform engine.
									Magic Bullet Colorista II [3] from Red Giant Software offers multi-step color correction with primary, secondary and master stages inside host applications including Apple's Final Cut Pro, Adobe's After Effects and Premiere.
									The Grading Sweet is a package of specialized Color Grading plugins for Apple's Final Cut Pro, designed by a cinematographer.							
									
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						    	<h5 style="width:200px;display:inline">Color correction softwares</h5>
						    	<p>This video effect is a great starting point to tackle any
							shot. This one effect will allow you in REAL-TIME to address
							levels, saturation, tinting of the image, white balance and more.
							The shot below shows how I added contrast by raising the input
							black slider and lowering the white input slider. I used the
							color wheel and dragged towards orange to counteract the blue in
							the original image. You can also use the White Balance dropper to
							achieve an accurate starting point... but I preferred in this
							case to Tint the whole image towards orange and approximate a
							1950 s film look. I boosted saturation by a healthy 40% to make
							the image pop. Finally, a 2.35 matte was added to approximate the
							old Cinemascope aspect ratio.</p>
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